Marks on paper.
Drawing is where everything starts for an artist. Sketching, drafting, and gesturing a composition is what creates the bones for a successful piece. Still, drawing is so much more because there are limitless approaches. I use drawings to plan my printmaking and paintings, but I like to let my drawings evolve and grow into images that I never planned. They are rhythms based on the arc of my wrist, patterns that repeat imperfectly within the paper that contains them. I find ways to give up control and let the drawings evolve into their own guided by intuition and the quality of the paper and drawing media itself.
"Acid Drawing." Detail. 2007. Ferric Chloride on archival silk tissue paper.
"Acid Drawings." Installation view. 2007
"Acid Pour." Detail. 2007. Ferric Chloride on paper.
"Acid Pour." Detail. 2007. Ferric Chloride on paper.
"Paper Trail." Detail. 2007. Graphite on Unryushi paper scroll.
"Paper Trail." 2007. Graphite on Unryushi paper scroll.

"Paper Trail." 2007. Graphite on Unryushi paper scroll.
"Bleed Drawings." 2007. Ink on paper with water. Installation view.

"Bleed Drawing I." 2007. Ink on paper with water.

"Bleed Drawing I." Detail. 2007. Ink on paper with water.

"Bleed Drawing I." 2007.

"Bleed Drawing I." Detail. 2007.

"Bleed Drawing II." 2007. Ink on paper with water.

"Bleed Drawing II." 2007.

"Bleed Drawing II." Detail. 2007.

"Bleed Drawing III." 2007.

"Bleed Drawing III." Detail. 2007. Ink on paper with water.

"Bleed Drawing III." 2007.

"Bleed Drawing III." Detail. 2007.

"Untitled." 2004. Graphite on paper.

"Untitled." 2004. Graphite on paper.

"Untitled" (also known as "Sirens" or "Muses"), 2003. Sharpie on paper. Located at Hanover College.